{"id":30860,"date":"2026-07-05T18:45:56","date_gmt":"2026-07-05T18:45:56","guid":{"rendered":"https:\/\/www.hic.pl\/?p=30860"},"modified":"2026-07-05T18:45:56","modified_gmt":"2026-07-05T18:45:56","slug":"box-office-usa-jest-pierwszy-hit-ai-zas-minionki-sa-nowym-numerem-1","status":"publish","type":"post","link":"https:\/\/www.hic.pl\/?p=30860","title":{"rendered":"Box Office USA: Jest pierwszy hit AI. Za\u015b “Minionki” s\u0105 nowym numerem 1"},"content":{"rendered":"
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O ile pierwsze dwa miesi\u0105ce kinowego lata by\u0142y wype\u0142nione pozytywnymi niespodziankami, o tyle od ubieg\u0142ego tygodnia atmosfera wyra\u017anie\u00a0<\/strong>si\u0119 <\/strong>pogorszy\u0142a. Po katastrofie, jak\u0105 okaza\u0142a si\u0119 “Supergirl<\/a>“, mocno poni\u017cej oczekiwa\u0144 wystartowa\u0142a animacja “Minionki i straszyd\u0142a<\/a>“. Ten weekend pokaza\u0142 r\u00f3wnie\u017c, \u017ce przeciwnicy sztucznej inteligencji s\u0105 g\u0142o\u015bni w mediach spo\u0142eczno\u015bciowych, ale kiedy przychodzi do g\u0142osowania portfelami, to Amerykanie nie maj\u0105 \u017cadnego problemu z filmami, kt\u00f3re wspomog\u0142o AI.<\/strong><\/p>\n

250. urodziny Ameryki b\u0119d\u0105 bardzo \u017ale wspominane w siedzibach Warner Bros. i DC Studios. Po s\u0142abiutkim starcie “Supergirl<\/a>“<\/strong>, komiksowe widowisko zanotowa\u0142o katastrofalny drugi weekend. Wp\u0142ywy polecia\u0142y na \u0142eb na szyj\u0119, bo a\u017c o 74%. W ten spos\u00f3b film wylecia\u0142 ju\u017c z podium. <\/p>\n

A to oznacza, \u017ce prawie bez walki numerem jeden zosta\u0142a animacja “Minionki i straszyd\u0142a<\/a>“<\/strong>. Ale Universal nie ma za bardzo z czego si\u0119 cieszy\u0107. Film zanotowa\u0142 najgorszy wynik otwarcia ca\u0142ego cyklu <\/strong>– 36,4 mln dolar\u00f3w. Oczywi\u015bcie kto\u015b mo\u017ce powiedzie\u0107, \u017ce przecie\u017c animacja mia\u0142a swoj\u0105 premier\u0119 ju\u017c w \u015brod\u0119. Nie jest to \u017cadne pocieszenie. Film bowiem w pi\u0119\u0107 dni zgarn\u0105\u0142 61,4 mln dolar\u00f3w. Dla por\u00f3wnania normalne otwarcie poprzedniego filmu w serii – “Gru i Minionki: Pod przykrywk\u0105<\/a>” – wynios\u0142o 75 milion\u00f3w dolar\u00f3w. Po pi\u0119ciu dniach mia\u0142 na koncie ju\u017c ponad 122 mln dolar\u00f3w. <\/p>\n

Naprawd\u0119 niewiele zabrak\u0142o, \u017ceby na pozycj\u0119 lidera wr\u00f3ci\u0142o “Toy Story 5<\/a>“<\/strong>. Animacja Pixara straci\u0142a co prawda sporo, bo 56%, mimo to zarobi\u0142a 31 milion\u00f3w dolar\u00f3w. Za par\u0119 dni stanie si\u0119 drug\u0105 najbardziej kasow\u0105 premier\u0105 tego roku<\/strong> w ameryka\u0144skich kinach, wyprzedaj\u0105c “Michaela<\/a>“. <\/p>\n

Filmy 2026 roku z wp\u0142ywami powy\u017cej 100 mln dolar\u00f3w<\/h2>\n

<\/p>\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
#<\/strong><\/td>\nTytu\u0142<\/strong><\/td>\nzarobi\u0142 w sumie
<\/strong><\/td>\n		otwarcie<\/strong><\/td>\nliczba kin <\/strong> <\/td>\npremiera<\/strong><\/td>\nVOD<\/strong> <\/td>\nbud\u017cet<\/strong> <\/td>\n<\/tr>\n
1 <\/td>\nSuper Mario Galaxy Film<\/a><\/td>\n$429,8<\/td>\n$131,7<\/td>\n4284<\/td>\n3.04<\/td>\n19.05<\/td>\n$110<\/td>\n<\/tr>\n
2<\/td>\nMichael<\/a>\u00a0<\/td>\n$371,3<\/td>\n$97,2<\/td>\n3955<\/td>\n24.04<\/td>\n9.06<\/td>\n$200<\/td>\n<\/tr>\n
3<\/td>\nToy Story 5<\/a>\u00a0(+1)<\/strong><\/td>\n$366,3<\/td>\n$159,7<\/td>\n4425<\/td>\n19.06<\/td>\n–<\/td>\n$250<\/td>\n<\/tr>\n
4<\/td>\nProjekt Hail Mary<\/a>\u00a0<\/td>\n$344,1<\/td>\n$80,5<\/td>\n4077<\/td>\n20.03<\/td>\n11.05<\/td>\n$190<\/td>\n<\/tr>\n
5<\/td>\nObsesja<\/a>\u00a0<\/td>\n$245,3<\/td>\n$17,2<\/td>\n3068<\/td>\n15.05<\/td>\n30.06<\/td>\n$0,8<\/td>\n<\/tr>\n
6<\/td>\nDiabe\u0142 ubiera si\u0119 u Prady 2<\/a>\u00a0<\/td>\n$220,3<\/td>\n$76,7<\/td>\n4200<\/td>\n1.05<\/td>\n30.06<\/td>\n$100<\/td>\n<\/tr>\n
7<\/td>\nBackrooms. Bez wyj\u015bcia<\/a>\u00a0<\/td>\n$190,5<\/td>\n$81,4<\/td>\n3565<\/td>\n29.05<\/td>\n–<\/td>\n$10<\/td>\n<\/tr>\n
8<\/td>\nGwiezdne wojny: Mandalorian i Grogu<\/a>\u00a0<\/td>\n$176,8<\/td>\n$81,7<\/td>\n4300<\/td>\n22.05<\/td>\n–<\/td>\n$165<\/td>\n<\/tr>\n
9<\/td>\nHopni\u0119ci<\/a>\u00a0<\/td>\n$166,0<\/td>\n$45,3<\/td>\n4000<\/td>\n6.03<\/td>\n28.04<\/td>\n$150<\/td>\n<\/tr>\n
10<\/td>\nKrzyk 7<\/a>\u00a0<\/td>\n$121,9<\/td>\n$63,6<\/td>\n3540<\/td>\n27.02<\/td>\n31.03<\/td>\n$45<\/td>\n<\/tr>\n
11<\/td>\nStraszny film<\/a>\u00a0<\/td>\n$106,3<\/td>\n$54,3<\/td>\n3504<\/td>\n5.06<\/td>\n–<\/td>\n$30<\/td>\n<\/tr>\n
12<\/strong><\/td>\nDzie\u0144 objawienia<\/a> (NOWO\u015a\u0106)<\/strong><\/td>\n$105,3<\/strong><\/td>\n$44,5<\/strong><\/td>\n3824<\/strong><\/td>\n12.06<\/strong><\/td>\n–<\/strong><\/td>\n$115<\/strong><\/td>\n<\/tr>\n
13<\/td>\nWielka ma\u0142a koza<\/a>\u00a0(-1)<\/strong><\/td>\n$103,3<\/td>\n$27,2<\/td>\n3863<\/td>\n13.02<\/td>\n24.03<\/td>\n$90<\/td>\n<\/tr>\n<\/table>\n

Jednak filmem, kt\u00f3ry skupi\u0142 na sobie najwi\u0119ksz\u0105 uwag\u0119, okaza\u0142 si\u0119 biograficzny dramat “M\u0142ody Waszyngton<\/a>“<\/strong>. Jest to bowiem pierwszy film, kt\u00f3ry wchodzi do kin bez ukrywania tego, \u017ce powsta\u0142 przy udziale AI. <\/strong>Re\u017cyser przyznaje, \u017ce do filmu zatrudniono pi\u0119ciu artyst\u00f3w AI, kt\u00f3rzy pomogli zrealizowa\u0107 co najmniej 100 scen. Dzi\u0119ki temu historyczne widowisko mo\u017ce pochwali\u0107 si\u0119 skromnym bud\u017cetem w wysoko\u015bci 20 milion\u00f3w dolar\u00f3w. <\/p>\n

I ju\u017c teraz wiadomo, \u017ce przyniesie wytw\u00f3rni Angel Studio zyski. Film bowiem sprzeda\u0142 si\u0119 lepiej od prognoz – 20,8 mln dolar\u00f3w. Jest to drugie najlepsze otwarcie w historii Angel Studios. “M\u0142ody Waszyngton<\/a>” <\/strong>zapewne b\u0119dzie notowa\u0142 umiarkowane spadki, poniewa\u017c spodoba\u0142 si\u0119 widzom. Ta patriotyczna opowiastka dosta\u0142a ocen\u0119 A w CinemaScore. <\/p>\n

W weekend do kin wesz\u0142a rozszerzona o 16 minut wersja “Backrooms. Bez wyj\u015bcia<\/a>“.<\/strong> Nie zanotowano jednak zwi\u0119kszonego zainteresowania tytu\u0142em. Wp\u0142ywy spad\u0142y o 25%. Film dzielnie walczy o osi\u0105gni\u0119cie granicy 200 milion\u00f3w dolar\u00f3w. Jednak \u0142atwo nie b\u0119dzie. W ten weekend wp\u0142ywy dobi\u0142y do 190 milion\u00f3w. <\/p>\n

Je\u015bli chodzi o najwi\u0119ksze t\u0142umy, to wci\u0105\u017c niepokonane pozostaje “Zaproszenie<\/a>“<\/strong>. Film trafi\u0142 do kolejnych 21 kin i to wystarczy\u0142o, by nowe dzie\u0142o Olivii Wilde<\/a> zadebiutowa\u0142o w pierwszej dziesi\u0105tce. Wp\u0142ywy podwoi\u0142y si\u0119, a \u015brednia na kino wci\u0105\u017c jest wysoka i wynosi 28,6 tys. dolar\u00f3w. <\/p>\n

Box Office USA: 3-5 lipca 2026<\/h2>\n

<\/p>\n

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n
#<\/strong><\/td>\nTytu\u0142<\/strong><\/td>\nzarobi\u0142 w weekend<\/strong><\/td>\nzarobi\u0142 w sumie<\/strong><\/td>\ntyg. na ekranie<\/strong><\/td>\nkina<\/strong><\/td>\n<\/tr>\n
1<\/td>\nMinionki i straszyd\u0142a<\/a>\u00a0(NOWO\u015a\u0106)<\/td>\n$36,4<\/td>\n$61,44<\/td>\n1<\/td>\n4243<\/td>\n<\/tr>\n
2<\/td>\nToy Story 5<\/a>\u00a0(-1)<\/td>\n$31,0<\/td>\n$366,35<\/td>\n3<\/td>\n3975<\/td>\n<\/tr>\n
3<\/td>\nM\u0142ody Waszyngton<\/a>\u00a0(NOWO\u015a\u0106)<\/td>\n$20,85<\/td>\n$20,85<\/td>\n1<\/td>\n2700<\/td>\n<\/tr>\n
4<\/td>\nSupergirl<\/a>\u00a0(-2)<\/td>\n$9,6<\/td>\n$58,47<\/td>\n2<\/td>\n3602<\/td>\n<\/tr>\n
5<\/td>\nDzie\u0144 objawienia<\/a>\u00a0<\/td>\n$6,0<\/td>\n$105,31<\/td>\n4<\/td>\n2702<\/td>\n<\/tr>\n
6<\/td>\nObsesja<\/a>\u00a0(-3)<\/td>\n$5,3<\/td>\n$245,32<\/td>\n8<\/td>\n2640<\/td>\n<\/tr>\n
7<\/td>\nBackrooms. Bez wyj\u015bcia<\/a>\u00a0(-1)<\/td>\n$3,31<\/td>\n$190,48<\/td>\n6<\/td>\n2079<\/td>\n<\/tr>\n
8<\/td>\nJackass: Best and Last<\/a>\u00a0(-4)<\/td>\n$2,7<\/td>\n$14,69<\/td>\n2<\/td>\n2855<\/td>\n<\/tr>\n
9<\/td>\nStraszny film<\/a>\u00a0(-2)<\/td>\n$1,13<\/td>\n$106,25<\/td>\n5<\/td>\n1158<\/td>\n<\/tr>\n
10<\/td>\nZaproszenie<\/a> (+7)<\/td>\n$0,8<\/td>\n$1,37<\/td>\n2<\/td>\n28<\/td>\n<\/tr>\n<\/table>\n

*wynik otwarcia z samego weekendu<\/sup><\/p>\n

Trzy du\u017ce premiery zaplanowane s\u0105 na nadchodz\u0105cy weekend. Disney zaprezentuje film “Vaiana<\/a>“<\/strong> (aktorska wersja animacji pod tym samym tytu\u0142em). Warner ma dla widz\u00f3w horror “Martwe z\u0142o: Ogie\u0144<\/a>“<\/strong>. Za\u015b Sony zaprosi na komedi\u0119 “Gail Daughtry and the Celebrity Sex Pass<\/a>“<\/strong>, czyli pierwszy po o\u015bmioletniej przerwie film pe\u0142nometra\u017cowy Davida Waina<\/a>, tw\u00f3rcy kultowego cyklu “Wet Hot American Summer<\/a>“.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

O ile pierwsze dwa miesi\u0105ce kinowego lata by\u0142y wype\u0142nione pozytywnymi niespodziankami, o tyle od ubieg\u0142ego tygodnia atmosfera wyra\u017anie\u00a0 si\u0119 pogorszy\u0142a. Po katastrofie, jak\u0105 okaza\u0142a si\u0119 “Supergirl”, mocno poni\u017cej oczekiwa\u0144 wystartowa\u0142a animacja “Minionki i straszyd\u0142a”. Ten weekend pokaza\u0142 r\u00f3wnie\u017c, \u017ce przeciwnicy sztucznej inteligencji s\u0105 g\u0142o\u015bni w mediach spo\u0142eczno\u015bciowych, ale kiedy przychodzi do g\u0142osowania portfelami, to Amerykanie<\/p>\n","protected":false},"author":1,"featured_media":30861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30860","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts\/30860","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30860"}],"version-history":[{"count":0,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts\/30860\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/media\/30861"}],"wp:attachment":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30860"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30860"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30860"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}