\n

Agnieszka Holland<\/a> pracuje nad kolejn\u0105 filmow\u0105 biografi\u0105. Po Janie Mikol\u00e1sku (“Szarlatan<\/a>“) i Franzu Kafce (“Franz Kafka<\/a>“) przysz\u0142a pora na Marlene Dietrich<\/a>. <\/strong><\/p>\n

Agnieszka Holland opowie o Marlene Dietrich<\/h2>\n

Scenariusz filmu zatytu\u0142owanego “Berlinweh<\/a>” napisa\u0142 Ingo Rasper<\/a>. W projekt zaanga\u017cowany jest te\u017c producent Mike Downey<\/a>, z kt\u00f3rym Holland<\/a> mia\u0142a ju\u017c okazj\u0119 wsp\u00f3\u0142pracowa\u0107 przy “Szarlatanie<\/a>“, “Zielonej granicy” i “Franzu Kafce”. W oficjalnym opisie czytamy: <\/p>\n

“Berlinweh<\/a>” opowiada histori\u0119 kobiety, kt\u00f3ra przez du\u017c\u0105 cz\u0119\u015b\u0107 \u017cycia sprzeciwia\u0142a si\u0119 swojej ojczy\u017anie, jednocze\u015bnie zmagaj\u0105c si\u0119 z g\u0142\u0119boko zakorzenion\u0105 t\u0119sknot\u0105 i marzeniem o powrocie. Film \u015bledzi losy Marlene Dietrich<\/a> w trakcie czterech decyduj\u0105cych dni w czterech r\u00f3\u017cnych dekadach i ukazuj\u0105c j\u0105 w zmieniaj\u0105cych si\u0119 kontekstach kulturowych i politycznych: w Pary\u017cu w 1937 roku, w Bergen-Belsen w 1945 roku, w Tel Awiwie w 1960 roku i ponownie w Pary\u017cu w 1983 roku.<\/i><\/p>\n

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<\/a> Getty Images \u00a9 Don English<\/span><\/p>\n<\/div>\n

<\/p>\n

Kim by\u0142a Marlene Dietrich?<\/h2>\n

Marlene Dietrich<\/a> (1901\u20131992) to urodzona w Niemczech aktorka, piosenkarka i skandalistka. Rozg\u0142os przynios\u0142a jej rola w “B\u0142\u0119kitnym aniele<\/a>” Josefa von Sternberga<\/a>. Z re\u017cyserem wsp\u00f3\u0142pracowa\u0142a jeszcze wielokrotnie m.in. przy takich filmach jak “Maroko<\/a>“, “Szanghaj Ekspres<\/a>” czy “Blond Venus<\/a>“. W jej filmografii znajdziemy te\u017c takie filmy jak “Pokusa<\/a>” (re\u017c. Frank Borzage<\/a>), “Trema<\/a>” (re\u017c. Alfred Hitchcock<\/a>), “\u015awiadek oskar\u017cenia<\/a>” (re\u017c. Billy Wilder<\/a>), “Dotyk z\u0142a<\/a>” (re\u017c. Orson Welles<\/a>) czy “Wyrok w Norymberdze<\/a>” (re\u017c. Stanley Kramer<\/a>). <\/p>\n

Zobacz zwiastun filmu “Franz Kafka”<\/h2>\n

Dramat biograficzny “Franz Kafka<\/a>” zadebiutowa\u0142 na festiwalu w Toronto. W tytu\u0142ow\u0105 rol\u0105 wcieli\u0142 si\u0119 Idan Weiss<\/a>. W 2026 roku film by\u0142 polskim kandydatem do Oscara. Przypominamy zwiastun: <\/p>\n

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Agnieszka Holland pracuje nad kolejn\u0105 filmow\u0105 biografi\u0105. Po Janie Mikol\u00e1sku (“Szarlatan”) i Franzu Kafce (“Franz Kafka”) przysz\u0142a pora na Marlene Dietrich. Agnieszka Holland opowie o Marlene Dietrich Scenariusz filmu zatytu\u0142owanego “Berlinweh” napisa\u0142 Ingo Rasper. W projekt zaanga\u017cowany jest te\u017c producent Mike Downey, z kt\u00f3rym Holland mia\u0142a ju\u017c okazj\u0119 wsp\u00f3\u0142pracowa\u0107 przy “Szarlatanie”, “Zielonej granicy” i “Franzu<\/p>\n","protected":false},"author":2,"featured_media":30835,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts\/30834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30834"}],"version-history":[{"count":0,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts\/30834\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/media\/30835"}],"wp:attachment":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}