W zesz\u0142ym roku do sieci trafi\u0142y informacje, \u017ce Asghar Farhadi<\/a>\u00a0kr\u0119ci nowy film zatytu\u0142owany\u00a0“Parallel Tales<\/a>“. Okazuje si\u0119, \u017ce wcze\u015bniejsze spekulacje \u0142\u0105cz\u0105ce projekt z zamachami w Bataclan okaza\u0142y si\u0119 nieprawdziwe, a film b\u0119dzie reinterpetacj\u0105 jednej z cz\u0119\u015bci “Dekalogu<\/a>” Krzysztofa Kie\u015blowskiego<\/a>.\u00a0<\/strong><\/p>\n <\/div>\n Przypomnijmy, \u017ce za przedsi\u0119wzi\u0119ciem stoi Maciej Musia\u0142<\/a>, kt\u00f3ry w rozmowie z GQ Polska potwierdzi\u0142, \u017ce pracuje nad now\u0105 wersj\u0105 s\u0142ynnego dzie\u0142a\u00a0Krzysztofa Kie\u015blowskiego<\/a>. W projekt zaanga\u017cowany jest r\u00f3wnie\u017c wieloletni wsp\u00f3\u0142pracownik re\u017cysera, Krzysztof Piesiewicz<\/a>, pe\u0142ni\u0105cy funkcj\u0119 producenta. Drugim filmem powsta\u0142ym ju\u017c w ramach tego projektu\u00a0 “Possible Love<\/a>“, kt\u00f3ry wyre\u017cyserowa\u0142\u00a0Lee Chang-dong<\/a>.\u00a0 <\/p>\n Jak wynika z wywiadu, projekt Musia\u0142a<\/a> obejmuje r\u00f3\u017cne realizacje inspirowane “Dekalogiem<\/a>“, do kt\u00f3rych zapraszani s\u0105 kolejni re\u017cyserzy. Polski aktor m\u00f3wi, \u017ce by\u0142 w stanie odkupi\u0107 prawa, poniewa\u017c ich poprzedni w\u0142a\u015bciciel sp\u00f3\u017ani\u0142 si\u0119 z wp\u0142at\u0105.\u00a0Kupi\u0142em prawa do konkretnego dzie\u0142a Kie\u015blowskiego<\/a> i rozpocz\u0105\u0142em proces jego wsp\u00f3\u0142czesnej reinterpretacji. To by\u0142o siedem lat temu. Przez ten czas anga\u017cowali\u015bmy kolejnych re\u017cyser\u00f3w, powstawa\u0142y scenariusze, nakr\u0119cili\u015bmy ju\u017c dwa filmy, kt\u00f3re s\u0105 w postprodukcji. Dzisiaj przygotowujemy si\u0119 do premiery filmu “Parallel Tales”. To dzie\u0142o ira\u0144skiego re\u017cysera, zdobywcy dw\u00f3ch Oscar\u00f3w, Asghara Farhadiego<\/a>. Zdj\u0119cia si\u0119 zako\u0144czy\u0142y, ko\u0144czy si\u0119 proces monta\u017cu, z premier\u0105 celujemy na Festiwal Filmowy w Cannes<\/a>. Graj\u0105 Catherine Deneuve<\/a>, Isabelle Huppert<\/a> i Vincent Cassel<\/a>. Na tym nie koniec, ale o ca\u0142ym projekcie opowiemy w maju.<\/i><\/p>\n “Dekalog<\/a>” to kultowy cykl telewizyjny z lat 1989\u20131990, lu\u017ano inspirowany Dziesi\u0119cioma Przykazaniami, uznawany za jedno z najwa\u017cniejszych dzie\u0142 w historii europejskiego kina. Nie wiadomo, kt\u00f3r\u0105 cz\u0119\u015b\u0107 na nowo nakr\u0119ci\u0142 Farhadi<\/a>, cho\u0107 portal World of Reel twierdzi, \u017ce sz\u00f3st\u0105<\/a>.\u00a0 <\/p>\n W styczniu 2024 roku Farhadi<\/a> zapowiedzia\u0142, \u017ce nie b\u0119dzie ju\u017c realizowa\u0142 film\u00f3w w Iranie, okre\u015blaj\u0105c t\u0119 decyzj\u0119 jako form\u0119 sprzeciwu wobec represyjnego re\u017cimu. Re\u017cyser znany jest przede wszystkim z nagradzanych dramat\u00f3w, takich jak “Rozstanie<\/a>“, “Klient<\/a>” czy “Bohater<\/a>“. <\/p>\n W zesz\u0142ym roku do sieci trafi\u0142y informacje, \u017ce Asghar Farhadi\u00a0kr\u0119ci nowy film zatytu\u0142owany\u00a0“Parallel Tales”. Okazuje si\u0119, \u017ce wcze\u015bniejsze spekulacje \u0142\u0105cz\u0105ce projekt z zamachami w Bataclan okaza\u0142y si\u0119 nieprawdziwe, a film b\u0119dzie reinterpetacj\u0105 jednej z cz\u0119\u015bci “Dekalogu” Krzysztofa Kie\u015blowskiego.\u00a0 Maciej Musia\u0142 o nowym projekcie Farhadiego Getty Images \u00a9 Gareth Cattermole Przypomnijmy, \u017ce za przedsi\u0119wzi\u0119ciem stoi Maciej<\/p>\n","protected":false},"author":1,"featured_media":30689,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-30688","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts\/30688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30688"}],"version-history":[{"count":0,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/posts\/30688\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=\/wp\/v2\/media\/30689"}],"wp:attachment":[{"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=30688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.hic.pl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=30688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}Maciej Musia\u0142 o nowym projekcie Farhadiego<\/h2>\n
![\"GettyImages-1399803059.jpg\"](\"https:\/\/fwcdn.pl\/nph\/1433332\/2026\/71995_1.2.jpg\")
<\/a> Getty Images \u00a9 Gareth Cattermole<\/span><\/p>\n<\/div>\n“Klient” – zwiastun<\/h2>\n<\/div>\n","protected":false},"excerpt":{"rendered":"